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Guest House
Produced for Ipecac Recordings
Guest House continues an exploration of black and white film as emotional language — a meditation on light, shadow, ritual, and rupture. Where previous projects played with flickering intimacy, this piece leans into the surreal: grief becomes gesture, the body distorts, and reality fractures.
Shot in stark contrast and unsettling detail, the film channels disintegration without relying on narrative — only mood, movement, and metaphor.
Dark, deliberate, and designed to haunt.